The Lost Pre-Raphaelite – George Wilson

£29.95

A biography of the life and work of the Victorian Scottish artist, George Wilson, who died in 1890 aged 41, just as he was approaching the height of his career. Wilson was a strict adherent to the original Pre-Raphaelite principles, long after these had been abandoned by most ‘followers’ for more commercial ideals. Frequently described as a ‘born painter’, George Wilson was a true ‘artist’s artist’, who painted purely because he loved to paint – almost entirely from nature, which he loved equally with the romantic poets and the classics

This unique book is the first investigation of Wilson’s life and work since the end of 19th century, when he was included in Percy Bate’s benchmark and immediately post-contemporary book, ‘The English Pre-Raphaelite Painters’.  Since then, Wilson has become one of the most enigmatic of the ‘lost’ artists of the period, and most commentators would agree that a publication about his life and work is well overdue. This book includes a fully illustrated catalogue raisonné of all Wilson’s recorded works, including many that are now believed lost

304 pages, with 70 full colour and 40 black and white illustrations. Hard cover

SKU: 9780955662621 Categories: ,
Binding: Case Bound - PPC
Pages: 304Author: Robin J.H. Fanshawe
 

Description

The Victorian Scottish artist, George Wilson, died in 1890 at the early age of 41, just at the time when he was, inevitably, approaching the height of his artistic career. He was a strict adherent to the original Pre-Raphaelite ethos and principles long after these had been abandoned by most ‘followers’ for more commercial interests.

Frequently described as a ‘born painter’, George Wilson was a true ‘artist’s artist’ who painted purely because he loved to paint – almost entirely from nature, which he loved equally with the romantic poets and the classics. He interpreted the works of the latter in a small number of surviving allegorical oil paintings; but undoubtedly his greatest love was to paint, quite exquisitely in watercolour, the woodland landscapes of his beloved native Scotland and northern Italy. He thus led a somewhat nomadic life, coming and going as the mood took him. He shunned all publicity; he exhibited and sold his work only very infrequently, and he never, ever, considered signing his work.

Although Percy Bate included George Wilson together with Simeon Solomon and Frederick Sandys in the chapter entitled The Romantic Influence in his book, The English Pre-Raphaelite Painters, Their Associates and Successors, his immediately post-contemporary and benchmark commentary on the Pre-Raphaelite movement, Wilson has been virtually forgotten ever since.

Coinciding with the publication of Bate’s book in 1903, George Wilson was heralded through a retrospective exhibition at the John Baillie Gallery in London as being first amongst the ‘Neglected Artists’ of the era. More recently, he has been described as the last of the lost and forgotten Pre-Raphaelites, and because of the scarcity of his work and any greater information about his life, most modern day writers view him as a long lost enigma. However, most would equally agree that he was an important, if illusive, figure in Victorian painting, and that a full study of his work is well overdue. This has now been achieved so far as is presently practicable.

 

Additional information

Weight1.56 kg
Dimensions27.9 × 21.6 × 2.4 cm

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