Description

Before Perugino and Raphael, Umbria had a school of its own — softer than Florence, less Byzantine than Siena. Walter Rothes traces its beginnings and its development, and argues for its distinct contribution to Italian painting.A companion to the same author’s study of Sienese painting.This is a faithful print-on-demand facsimile of the 1908 edition, reproduced in full from a library copy. The historical text is reproduced without modification; only the format, margins and legibility have been reset for modern printing.